David Lynch delves into interior design

David Lynch, filmaker and artist,  has applied his creativity to designing a Paris nightclub, Silencio.Opening last September it is inspired by the identically named Club Silencio, which is a key location in his critically acclaimed film noir from 2001, Mulholland Drive.

This follows his exploration into music last year when he released his first vocal single, Good Day Today, but designing a nightclub is a complete departure for the 65-year old.

To see and read more visit Blueprint

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Future Memory Pavilion

A new installation by Asif Khan and Pernilla Ohrstedt was unveiled last week as the platform for promotion of British architects and designers, culminates. The Future Memory Pavilion comprises of two cones stretching up to eight meters high and 20 meters in diameter. Made of ice and sand, the cones are formed using concentric ropes, that taper the structure. Typically for Khan and on par with the Future Memory programme the form is designed to morph with passing time, as the ice melts and trickling water erodes the sand structure. Visitors are also encouraged to interact to represent the human impact on the environment. Ultimately both cones melt away. The manner in which the cones disappear is intended to provoke visitors to reflect on issues of climate and urban development. The Pavilion’s creators, Khan and Ohrstedt, drew their inspiration from Singapore’s history.

The Future Memory was created by Royal Academy of Arts and British Council. To read more about The Future Memory Programme please go to Blueprint online. 

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Future Memory Pavilion

A new installation by Asif Khan and Pernilla Ohrstedt  was unveiled last week in SIngapore, as the platform for promotion of British architects and designers, culminates. The Future Memory Pavilion comprises of two cones stretching up to eight meters high and 20 meters in diameter. Made of ice and sand, the cones are formed using concentric ropes, that taper the structure. Typically for Khan and on par with the Future Memory programme the form is designed to morph with passing time, as the ice melts and trickling water erodes the sand structure. Visitors are also encouraged to interact to represent the human impact on the environment. Ultimately both cones melt away. The manner in which the cones disappear is intended to provoke visitors to reflect on issues of climate and urban development. The Pavilion’s creators, Khan and Ohrstedt, drew their inspiration from Singapore’s history.

The Future Memory was created by Royal Academy of Arts and British Council. To read more about The Future Memory please visit Blieprint

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In pursuit of Imperfection: Designers in Residence

Do you love good design as much as we do? Have what it takes to impress Peter Kelly (Editor of Blueprint) and Deyan Sudjic (Director of the Design Museum)? Then get your thinking caps on for the following brief:

In Pursuit of Imperfection

For a century and a half mass production has done all it can to make perfect objects in large numbers that are all exactly the same. But now we have the ability to make objects, or messages, or experiences in quantities that are not ‘perfect’, but rather are unique, or particular, or responsive to their users and owners. We would like product / furniture / graphic/ interactive / furniture designers to explore the idea of the imperfect in an object, an environment, or an experience.

For previous winners, further details on this year’s entry and to download the application form, visit the Design Museum site. Deadline for submission is 5pm Monday 28th February so there really is no time like the present!

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Centre piece of Russia’s Silicon Valley

Blueprint says ‘Identified flying objects: the school’s hovering disc and glass-fronted towers espouse ‘openess, cohesion and lack of hierarchy’, unlike the student body. One of its rooftop towers, a patterned glass finger, may point towards the city centre but Moscow School of Management sits incongruously on a 26.5ha green site encircled by forest.’

Apparently this building is the trailblazer in President Dmitry Medvedev’s Skolkovo project to emulate the USA’s Silicon Valley. It was designed by David Adjaye and funded by $320m of public finance and private investment. Various Russian corporate giants and oligarchs are paying to import scientific talent and technical specialists to study in Moscow and Ukranian oligrach Viktor Vekselberg, Skolkovo’s project leader, envisages further investment of around $6.5bn over the next three years to realise this ‘prototype of the city of the future’.

Read more on Blueprint

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Blueprint announces Awards at 100% Design

The winners of the Blueprint Awards at 100% Design have been announced. In a very competitive year the Best New Product award went to Nathalie Dewez for her piece Linea light and the Most Promising Talent at 100% Futures award was given to Daniel Emma Studio.

See more of about the winners and their work on Blueprint.

The Think Tank

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Adaptable Structures opens in Clerkenwell

Adaptable Structures is an exhibition that presents models, drawings and a multiple-level brick installation by Toh Shimazaki Architecture. It opened this week in the Toto Gallery, 140-142 St John Street, London
 EC1V 4UA and is on until 8 October. Worth a look.

See more on Blueprint

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Blueprint 100% Design Awards

The Blueprint Awards are back at 100% Design with a format that guarantees the best work receives a prestigious Blueprint Badge. Opening up the conventional awards structure, there is no limit on the number of possible badge winners for the Best New Products, New Talent in 100% Futures, and the Best Use of Materials. The Blueprint Badge winners were selected by Peter Kelly, editor of Blueprint, and design author and curator Max Fraser in late July.

See more on Blueprint

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Blueprint’s Big Breakfast with John Snow

Designing for the deprived, tree-hugging, and the ‘architecture of lunacy’ – all subjects discussed by John Snow at last weeks Blueprint Big Breakfast.
See the full talk on the Blueprint web site in three parts.
First segment below:

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